How I got here
Nobody handed me a shop. I got one ADJ Micro Galaxian at ten years old and never really put it down.
Curating elevated event experiences through luxury lighting, sound & production.
DJ, lighting, audio, video and rigging for live events and film/TV production — starting from one ADJ Micro Galaxian in my parents' basement to full-scale production for luxury weddings, shows and other events at stadiums, venues and stages nationwide.
The Saturday after Thanksgiving — the World's Largest Disco, Buffalo.
Two weeks of build, 104 chain motors, one night on the floor.
Nobody handed me a shop. I got one ADJ Micro Galaxian at ten years old and never really put it down.
Still the kid on the crew at the World's Largest Disco. The biggest room in Buffalo, and I wasn't running it yet — I was behind the console learning how a room that size actually gets built.
Same posture, different room. A full gala, the call is mine now, and there are a hundred more of these a year.
A handful of the rooms I've been in lately — arenas, ballrooms, sets and convention halls. Nowhere near all of it, and the numbers are real, because in this trade the numbers are the story.
A few recent ones — film sets, NFL installs and music videos. Some I designed, some I built, some I ran the board on; each one says which.
A 225′ × 150′ campaign wrapped across the face of the vacant Statler Hotel in downtown Buffalo — over sixty wash fixtures behind the glass, lighting the windows themselves rather than mapping them, all of it programmed and run over sACN. InWindow Outdoor × Gatorade. The spot went everywhere; the rig behind it is what made it run.
It started as a DJ company, and it's a lot more than that now. Installs, corporate A/V, creative lighting, rentals, rigging and luxury weddings — and whether it's an arena or somebody's reception, it gets the same rig, the same crew and the same standard.
My company. Luxury weddings, high-end corporate events and celebrations, with every piece of the room coming from one place — audio, video, lighting and special FX. One vendor, one load-in, one point of contact, and nobody pointing at anybody else when something needs fixing.
Serato, no canned playlist. The floor gets read and the set gets mixed to it — what you get on a Tuesday corporate night is not what you get at a Saturday reception.
English and Italian on the mic, reading the room in both. Families who thought they'd sit out the night usually don't.
Ceremony and cocktail sound, uplighting, dance-floor lighting, video walls, photo booth and cold spark, run with a crew of four. One load-in, one point of contact, one invoice.
Permanent lighting, audio and video installations, creative lighting projects, corporate A/V production and dry rentals — plus the freelance rigging I now run through the company.
Volunteer work and the projects I built because I wanted them to exist.
In the summer of 2021 I built a non-profit soccer tournament from nothing and ran it on my front lawn and my neighbours’. I lined up the sponsors and the shirts, chalked the fields, drew the brackets and brought in the sound and lighting myself — same way I’d run any other event, just with a whistle instead of a downbeat.
It raised $3,000, and the whole check went to the Make-A-Wish Foundation.
Outside of work and school I have a variety of hobbies that keep me inspired and grounded. I’m an avid men’s league soccer and hockey player, a licensed ham radio operator, and a passionate traveler who loves exploring new places. Whether I’m hanging out with friends, working on new ideas, or enjoying downtime, I’m always finding ways to recharge and stay connected to the things I love.
I speak Italian, and I get back to Italy whenever the calendar lets me. I’ve always been a foodie and I love to cook — give me a kitchen and a full bowl and I’m happy. I fly drones. Most of the downtime goes to friends, a field or a sheet of ice, or somewhere I haven’t been yet.






Open a unit to see what's inside.
Wedding, gala, concert, install or a call for crew — tell me the room, the date and what you want people to feel when they walk in. I'll take it from there.
For me this isn't just a career. It's a lifelong mission to bring joy, connection and lasting memories to every event I touch.